Written By
Surreal Team
A compilation of keen hopes for rumbling jungles, attaining gigs and starting career avalanches through the careful curation of sublime basslines and the back-catalogue Radiohead remix of Good Evening Mrs. Magpie- TUNE!
We’ve perused a very chill, one million inspirational articles out there breaking down the intricate art of the DJ mixtape. While some are comparative to modern-day literature written by Zen organisational philosophers such as Marie Kondo, we’ve decided to humbly contribute our take on how to ensure your mixtape is killer. Alongside some banter, of course.
Because fam, where words fail the mixtape speaks - daamn… we just said it.Let me set the scene; it’s a chill Friday night. You’ve gatecrashed an after-hours gig, with three of your closest new work colleagues, after clocking a 10-hour hospo shift, knockoffs in hand. Underground DJ crews are holding up walls to the left and right, and some clown yells out: “oh, my mate is a sick DJ, B-Rabbit put your mixtape on!” All gazes glide to you, and you’re living a weird alternate reality Art Deco sharehouse version of 8 Mile. The vinyl needle stops, some random pulls up SoundCloud on their phone, and chins start a’waggin. All the while, you’re still standing there in disbelief that your moment is finally here. Two mixes pass before the sea of denim parts, and the old mate with the retro Air Jordans and not-ironic 90’s hip hop t-shirt saunters over with an invite to play a set at his record store. Boom! A star is born.This is how every mad DJ starts in some shape or form, whether it’s breaking into someone's car to leave a mixtape in their stereo (bless), or eagerly handing a USB to their hero at a gig. And it all started with a demo.
Give it at least a week to prepare your songs and tracklist. Does this song spark joy? (ha-ha). Every track should make your heart flutter, every mix tighter than your record bag after a day of crate digging. Beatmatching on point, no clips, not a red line in sight, appropriate decibels in check, you got this. Just don’t rush it. Rome wasn’t built in a day.
Give your mixtape some context by picking a vibe or feeling you like to create for the audience listening. By doing this, you’re giving promoters and hirers a snapshot into the atmosphere with which your music can fill a room. It doesn’t have to be some powerhouse party mix, mainly because the listener is potentially not ready for a dance party when listening to your demo. Instead, try to show consideration for their mood outside a party environment and use the opportunity to uplift their day. Most of the time, the person wanting to hire you is listening from an office, at home, out for a run or a drive, or chilling with friends; more relaxed activities that complement thinking music.
Considering the genre is always good to keep you grounded when putting together something that doesn’t make you look like you're trying too hard. The music type defines the DJ and you have been blessed with the power to educate and entertain. The DJs make the hits, not the other way around. The genre selection featured on your mixtape ties into your expectations for the type of venues and events you want to attract. Mixing multiple styles shows your range and depth of knowledge, especially how you cross-curate flow. Whether you want a full deep-house repertoire or a residency at a cocktail lounge, which can have multiple genres all in one set, the genre fits the occasion. Keep it classy and stay away from a top 40radio rehash.Also, don't be swayed by genre labels, focus on energy. Yes, that tech-house mix works well with that melodic-techno track.What even is a genre in these mad times?
Translation: Make your demo mix longer than 45 minutes but way shorter than two hours. One-and-a-half hours is the sweet spot is what I’m trying to get at here politely. Showcasing around nine to eleven songs gives you time to build atmosphere, take people on a journey through the highs and the lows, a crescendo here, time to contemplate living there. You can then deliver them soundly at a relevant future point in their lives where the mix finishes, and they can’t believe it’s over. It leads to an immediate re-rinsing and hopefully, a re-up to all their social media networks, resulting in a fantastic song-play blow-up for you. Thank you!
This is the time to showcase your repertoire of all the mixer kick-flips that your fingers can bring to the mixing desk. The quality of your mixing in a demo sets the professional level expected of your live performance. However, there’s a lot to be said for holding back on the showmanship. Technicality has more to do with how you showcase the way songs fit together; to create flow instead of scratching up every song or cutting over a vocal arrangement, which can be super harsh and ruin the mood on a dancefloor.
The one thing that should remain entirely consistent throughout a mix and the hardest thing to perfect on a recording is your levels. Unlike a club set, competing basslines, high-hats, and vocals all transitioning into each other amplify in a mixtape and will take some mastering. A certain level of delicacy and finesse is required, plus some help with internal mixing on your recording of choice. No one wants a booming bassline one minute and everything going quiet the next, as it ruins the flow and creates a disconnect between songs. Instead of a party, you'll just end up giving someone an anxiety attack - unless that was your aim, then proceed!
Give your demo tape a memorable title that suits the sound of your mix or turn it into a series. Names are another way to stand out and provide a trigger when it needs to be remembered later. They let the listener know what to expect from the demo, instead of ‘Dave's January Demo mix’. Using visual words as titles can help as a storytelling cue, so descriptive words and phrases are a great way to illustrate your sound, especially if you want to play diverse underground genres. Take inspiration from albums like Café Del Mar - Sunset Mix. You can imagine sitting out the front of a club at sunset in Ibiza, as the night starts to cool down and the DJ takes the sounds from chill to party.
There are heaps of tutorials online about free recording software, such as Audacity so that you can get that mix straight onto a digital audio workstation (DAW), so we won't get technical here. Recording onto your computer is the best way to go, and if you have it, an audio interface gives you better control over the sound quality entering. If you already use Ableton or another DAW, then it’s perfect for doing a quick cheeky sound edit. Otherwise, send it to your mix-master friend to give it some spruce and get it all sparkly for uploading online.
Speaking of uploading…
Upload this killer demo to SoundCloud, share it on all your social media, link up your electronic press kits, and watch the world explode! It’s the number one discovery tool for DJs and music-sharing platforms. In the immortal words of Forrest Gump, “That is all I have to say about that.”Spin that shi*